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They are almost mirror images of each. Both are slick, indie but not really movies that hit big at Sundance.

Both have attractive lead actors playing supposedly nervous and socially-ignored geeks. Both feature an underwritten supporting male and female friend who exist only to give the lead someone to talk to and to learn important life lessons.

He also obsessively makes silly parodies of classic movies with his best friend — who is not a character so much as a racially problematic sounding board that stands around, inexplicably devoted to our lead despite him being a dying for a big girl jerk. Then, one day, Greg learns that a girl from his school has cancer, and for some reason his mum forces him to go and hang out with.

Dying for a big girl you imagine being really sick, and then putting up with some guy from school who you barely know coming and moping around in your room because his mum made him? Well, this is the premise of Me and Earl and the Dying Girl.

The leads are all great and do their best to sell this stupid dying for a big girl. In fact, the first two acts are kind of brilliant in spite of the story, and the bib, Alfonso Gomez, could go on to do some great things.

The far more interesting and sympathetic characters of Earl and the Dying Girl were blending families while dating there so Greg could learn important life lessons.

Me and Earl and the Dying Girl is a mixed bag. There is a lot to like, dging also some big miscalculations and nonsense. You could do worse, but you could do a lot better.

Big Screen: The Gift. Little Screen:: Winter Film Guide.

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Big Screen:: Mad Max: Fury Road. Check out his Big Screen reviews. And both are achingly, oppressively phoney… but still kind of work.

I still kind of liked it. The W Big Screen: Dope Little Screen:: Winter Film Guide Big Screen:: Read more from Sam Clark Share Article. Subscribe to our Newsletter.

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